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...Transience is one of the topoi of art. And the more reductive the form, the colder the effect of the psycho pomp. For as long as photography has existed, its internal clock has incarnated the modern hour-glass. It also has the potential, as a probe for perception, to reach beyond reflecting the reality moment. In Frozen Embryo Series the process of technical reproduction faces an image with a zero minus rating.
Text Juri Steiner > download
I 1
FROZEN EMBRYO SERIES I, 1998–2000
4 parts ( I 1 – I 4 ), Silver gelatine print, 59 x 55” each,
mounted on 2 mm aluminium sheet
Collection Metropolitan Museum, New York.
I 2




I 3




I 4





Frozen Embryo Series II






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II 1
FROZEN EMBRYO SERIES II, 1998–2000
8 parts ( II 1 – II 8 ), Silver gelatine print, 59 x 55“ each,
mounted on 2 mm aluminium sheed
Collection Howard Stein, New York.
II 2




II 3




II 4




II 5




II 6




II 7




II 8





Frozen Embryo Series III






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III 1
FROZEN EMBRYO SERIES III, 1998–2000
9 parts ( III 1 – III 9 ), Silver gelatine print, 59 x 55” each,
mounted on 2 mm aluminium sheet

III 2




III 3




III 4




III 5




III 6




III 7




III 8




III 9





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